Dinner Topics for Friday

Charles John Huffam Dickens 7 February 1812 – 9 June 1870) was an English novelist, generally considered the greatest of the Victorian period. Dickens enjoyed a wider popularity and fame than had any previous author during his lifetime, and he remains popular, having been responsible for some of English literature’s most iconic novels and characters.^[1]

Many of his writings were originally published serially, in monthly instalments, a format of publication which Dickens himself helped popularise. Unlike other authors who completed novels before serialisation, Dickens often created the episodes as they were being serialised. The practice lent his stories a particular rhythm, punctuated by cliffhangers to keep the public looking forward to the next instalment.^[2] The continuing popularity of his novels and short stories is such that they have never gone out of print.^[3]

Dickens’s work has been highly praised for its realism, comedy, mastery of prose, unique personalities and concern for social reform, by writers such as Leo Tolstoy, George Orwell and G. K. Chesterton; though others, such as Henry James and Virginia Woolf, have criticised it for melodrama, sentimentality and implausibility.^[4]

Charles Dickens was born at Landport, in Portsea, on February 7, 1812, the second of eight children, to John and Elizabeth Dickens. His father was a clerk in the Navy Pay-office and was temporarily on duty in the neighbourhood. Very soon after the birth of Charles, however, the family moved for a short period to Norfolk Street, Bloomsbury, and then for a long period to Chatham, in Kent, which thus became the real childhood home, and for all serious purposes, the native place of Dickens. His early years seem to have been idyllic, although he thought himself a “very small and not-over-particularly-taken-care-of boy”.^[5] Charles spent time outdoors, but also read voraciously, especially the picaresque novels of Tobias Smollett and Henry Fielding. He spoke, later in life, of his poignant memories of childhood, and of his near-photographic memory of the people and events, which he used in his writing. His father’s brief period as a clerk in the Navy Pay Office afforded him a few years of private education at William Giles’s School, in Chatham.^[6]

This period came to an abrupt end when the Dickens family, because of financial difficulties, moved from Kent to Camden Town, in London in 1822. John Dickens continually lived beyond his means and was eventually imprisoned in the Marshalsea debtor’s prison in Southwark, London in 1824. Shortly afterwards, the rest of his family joined him – except 12-year-old Charles, who was boarded with family friend Elizabeth Roylance in Camden Town.^[7] Mrs. Roylance was “a reduced [impoverished] old lady, long known to our family”, whom Dickens later immortalised, “with a few alterations and embellishments”, as “Mrs. Pipchin”, in Dombey and Son. Later, he lived in a “back-attic…at the house of an insolvent-court agent…in Lant Street in The Borough…he was a fat, good-natured, kind old gentleman, with a quiet old wife”; and he had a very innocent grown-up son; these three were the inspiration for the Garland family in The Old Curiosity Shop.^[8]

On Sundays, Dickens and his sister Frances (“Fanny”) were allowed out from the Royal Academy of Music and spent the day at the Marshalsea.^[9] (Dickens later used the prison as a setting in Little Dorrit). To pay for his board and to help his family, Dickens was forced to leave school and began working ten-hour days at Warren’s Blacking Warehouse, on Hungerford Stairs, near the present Charing Cross railway station. He earned six shillings a week pasting labels on blacking. The strenuous – and often cruel – work conditions made a deep impression on Dickens, and later influenced his fiction and essays, forming the foundation of his interest in the reform of socio-economic and labour conditions, the rigors of which he believed were unfairly borne by the poor. He would later write that he wondered “how I could have been so easily cast away at such an age.” As told to John Forster (from The Life of Charles Dickens):

Characters

‘Dickens’ Dream’ by Robert William Buss, portraying Dickens at his desk at Gads Hill Place surrounded by many of his characters

Dickens is famed for his depiction of the hardships of the working class, his intricate plots, and his sense of humour. But he is perhaps most famed for the characters he created. His novels were heralded early in his career for their ability to capture the everyday man and thus create characters to whom readers could relate. Beginning with The Pickwick Papers in 1836, Dickens wrote numerous novels, each uniquely filled with believable personalities and vivid physical descriptions. Dickens’s friend and biographer, John Forster, said that Dickens made “characters real existences, not by describing them but by letting them describe themselves.”^[45]

Dickensian characters—especially their typically whimsical names—are among the most memorable in English literature. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham, Charles Darnay, David Copperfield, Mr. Micawber, Abel Magwitch, Daniel Quilp, Samuel Pickwick, Wackford Squeers, Uriah Heep and many others are so well known and can be believed to be living a life outside the novels that their stories have been continued by other authors.^{[citation needed]}

The author worked closely with his illustrators supplying them with a summary of the work at the outset and thus ensuring that his characters and settings were exactly how he envisioned them.^[46] He would brief the illustrator on plans for each month’s instalment so that work could begin before he wrote them. Marcus Stone, illustrator of Our Mutual Friend, recalled that the author was always “ready to describe down to the minutest details the personal characteristics, and … life-history of the creations of his fancy.”^[30] This close working relationship is important to readers of Dickens today. The illustrations give us a glimpse of the characters as Dickens described them. Film makers still use the illustrations as a basis for characterisation, costume, and set design.

Often these characters were based on people he knew. In a few instances Dickens based the character too closely on the original, as in the case of Harold Skimpole in Bleak House, based on James Henry Leigh Hunt, and Miss Mowcher in David Copperfield, based on his wife’s dwarf chiropodist. Indeed, the acquaintances made when reading a Dickens novel are not easily forgotten. The author Virginia Woolf maintained that “we remodel our psychological geography when we read Dickens” as he produces “characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks.”^[47]

Click on this image at epicworldbook.net for a collection of beautiful, illustrated stories by Charles Dickens in children’s books for reading with your family!

Dickens Bio Continued